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dc.contributor.authorBakshi, Amar
dc.date2021-11-25T13:35:14.000
dc.date.accessioned2021-11-26T11:56:07Z
dc.date.available2021-11-26T11:56:07Z
dc.date.issued2016-10-02T08:13:37-07:00
dc.identifieryjlh/vol27/iss2/4
dc.identifier.contextkey9219292
dc.identifier.urihttp://hdl.handle.net/20.500.13051/7524
dc.description.abstractTehching Hsieh imprisoned himself for a year in his studio. Park McArthur battled an artist residency for better wheelchair access. Mary Ellen Carroll exploited Houston's lack of zoning laws to rotate a house 180-degrees. The work of these artists was not necessarily about law. Rather, these artists used law as a material, target, and readymade. They engaged the legal medium.
dc.titleThe Legal Medium
dc.source.journaltitleYale Journal of Law & the Humanities
refterms.dateFOA2021-11-26T11:56:07Z
dc.identifier.legacycoverpagehttps://digitalcommons.law.yale.edu/yjlh/vol27/iss2/4
dc.identifier.legacyfulltexthttps://digitalcommons.law.yale.edu/cgi/viewcontent.cgi?article=1438&context=yjlh&unstamped=1


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