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dc.contributor.authorPendas, Devin
dc.date2021-11-25T13:35:11.000
dc.date.accessioned2021-11-26T11:55:18Z
dc.date.available2021-11-26T11:55:18Z
dc.date.issued2013-05-08T12:15:54-07:00
dc.identifieryjlh/vol12/iss2/4
dc.identifier.contextkey4028474
dc.identifier.urihttp://hdl.handle.net/20.500.13051/7300
dc.description.abstractOn December 20, 1963, the Frankfurt Auschwitz trial opened before the State Court (Schwurgericht) at Frankfurt am Main. Ginther Leicher, covering the trial for the Allgemeine Zeitung/Neuer Mainzer Anzeiger, described the scene thus: "A huge mass of journalists, photographers and camera people from all over the world and half-empty seats in the visitors' gallery: these are the contradictory emblems of the public interest in the Auschwitz trial, which opened last Friday, four days before Christmas, in the Frankfurt City Council chambers." In this Article, I examine the seeming paradox that the Auschwitz trial could attract such considerable attention from the mass media while remaining a matter of indifference, if not open hostility, for much of the German public. In other words, I ask what the relationship is between the Auschwitz trial as a trial, as a media event, and as a "moment" in the West German public sphere.
dc.title"I didn't know what Auschwitz was": The Frankfurt Auschwitz Trial and the German Press, 1963-1965
dc.source.journaltitleYale Journal of Law & the Humanities
refterms.dateFOA2021-11-26T11:55:18Z
dc.identifier.legacycoverpagehttps://digitalcommons.law.yale.edu/yjlh/vol12/iss2/4
dc.identifier.legacyfulltexthttps://digitalcommons.law.yale.edu/cgi/viewcontent.cgi?article=1231&context=yjlh&unstamped=1


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