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dc.contributor.authorWhite, James
dc.date2021-11-25T13:35:11.000
dc.date.accessioned2021-11-26T11:55:17Z
dc.date.available2021-11-26T11:55:17Z
dc.date.issued2013-05-08T12:15:44-07:00
dc.identifieryjlh/vol12/iss1/4
dc.identifier.contextkey4028350
dc.identifier.urihttp://hdl.handle.net/20.500.13051/7294
dc.description.abstractMy subject in this Essay is the relation between a text or other artifact and the tradition against which it acts. I want to begin by borrowing from a book that seems to me to represent a model-not the only model, of course, but a very good one-of a certain kind of cultural investigation. The book is Inventing Masks by Z.S. Strother, an art historian at Columbia University who specializes in African art. Its material subject is a set of face masks made by the Central Pende, an African people in what is now the Democratic Republic of Congo.
dc.titleReading Texts, Reading Traditions: African Masks and American Law
dc.source.journaltitleYale Journal of Law & the Humanities
refterms.dateFOA2021-11-26T11:55:17Z
dc.identifier.legacycoverpagehttps://digitalcommons.law.yale.edu/yjlh/vol12/iss1/4
dc.identifier.legacyfulltexthttps://digitalcommons.law.yale.edu/cgi/viewcontent.cgi?article=1225&context=yjlh&unstamped=1


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